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dc.contributor.authorFraiture, Pascale
dc.contributor.authorLaemers, Suzanne
dc.contributor.authorLust, Jacques
dc.contributor.authorMartens, Didier
dc.contributor.authorMortiaux, Laure
dc.contributor.authorPhilippot, Paul
dc.contributor.authorPypaert, Jean-Luc
dc.contributor.authorSanyova, Jana
dc.contributor.authorSaverwyns, Steven
dc.contributor.authorVanwijnsberghe, Dominique
dc.contributor.editorVanwijnsberghe, Dominique
dc.coverage.spatialBelgiumen_US
dc.coverage.temporal1890-1964en_US
dc.date2008
dc.date.accessioned2022-08-30T09:56:13Z
dc.date.available2022-08-30T09:56:13Z
dc.identifier.citationPascale Fraiture, Suzanne Laemers, Jacques Lust, Didier Martens, Laure Mortiaux, Paul Philippot, Jean-Luc Pypaert, Jana Sanyova, Steven Saverwyns & Dominique Vanwijnsberghe, La Madeleine Renders : fake or not fake ?, in: Autour de la Madeleine Renders : un aspect de l’histoire des collections, de la restauration et de la contrefaçon en Belgique dans la première moitié du XXe siècle (Brussels: Royal Institute for Cultural Heritage, 2008) : p. 287-288.en_US
dc.identifier.isbn9782930054094
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/10085
dc.languagefraen_US
dc.publisherInstitut royal du Patrimoine artistique - Koninklijk Instituut voor het Kunstpatrimoniumen_US
dc.relation.ispartofseriesScientia Artisen_US
dc.titleLa Madeleine Renders : fake or not fake ?en_US
dc.typeBook chapteren_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.audienceGeneral Publicen_US
dc.subject.freePanel Paintingen_US
dc.subject.freeFlemish arten_US
dc.subject.freeEarly Netherlandish Paintingen_US
dc.subject.freeConservation and restoration of paintingsen_US
dc.subject.freeArt Forgeryen_US
dc.subject.freeJef Van der Vekenen_US
dc.subject.freeEmile Rendersen_US
dc.source.issue4en_US
dc.source.page287-288en_US
Orfeo.peerreviewedNot pertinenten_US


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