Autour de la Madeleine Renders : un aspect de l'histoire des collections, de la restauration et de la contrefaçon en Belgique dans la première moitié du XXe siècle
dc.contributor.author | Vanwijnsberghe, Dominique | |
dc.contributor.author | Debergh, Jacques | |
dc.contributor.author | Saverwyns, Steven | |
dc.contributor.author | Sanyova, Jana | |
dc.contributor.author | Pypaert, Jean-Luc | |
dc.contributor.author | Fraiture, Pascale | |
dc.contributor.author | Martens, Didier | |
dc.contributor.author | Lust, Jacques | |
dc.contributor.author | Laemers, Suzanne | |
dc.contributor.author | Philippot, Paul | |
dc.contributor.author | Mortiaux, Laure | |
dc.date | 2008 | |
dc.date.accessioned | 2022-09-16T09:42:22Z | |
dc.date.available | 2022-09-16T09:42:22Z | |
dc.identifier.citation | Dominique Vanwijnsberghe (ed.), Autour de la Madeleine Renders : un aspect de l'histoire des collections, de la restauration et de la contrefaçon en Belgique dans la première moitié du XXe siècle (Brussels: Royal Institute for Cultural Heritage KIK-IRPA, 2008). | en_US |
dc.identifier.isbn | 978-2-930054-09-4 | |
dc.identifier.uri | https://orfeo.belnet.be/handle/internal/10109 | |
dc.description | December 1920. Bruges banker and collector Emile Renders bought a painting in very poor condition at a public auction. It was a copy of one of the Louvre's gems: the famous Magdalene from Rogier van der Weyden's Braque Triptych. Six years later, when it resurfaced, the unremarkable painting had mysteriously become a magnificent masterpiece, attributed to Hans Memling's entourage. How can this strange metamorphosis be explained? | en_US |
dc.language | fra | en_US |
dc.publisher | Royal Institute for Cultural Heritage (KIK-IRPA) | en_US |
dc.title | Autour de la Madeleine Renders : un aspect de l'histoire des collections, de la restauration et de la contrefaçon en Belgique dans la première moitié du XXe siècle | en_US |
dc.type | Book | en_US |
dc.subject.frascati | Arts | en_US |
dc.audience | Scientific | en_US |
Orfeo.peerreviewed | No | en_US |