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dc.contributor.authorHardtke, Frederick E.
dc.contributor.authorClaes, Wouter
dc.contributor.authorDarnell, John Coleman
dc.contributor.authorHameeuw, Hendrik
dc.contributor.authorHendrickx, Stan
dc.contributor.authorVanhulle, Dorian
dc.coverage.spatialEgypten_US
dc.coverage.temporalEarly Dynastic perioden_US
dc.date2022
dc.date.accessioned2023-01-23T08:19:14Z
dc.date.available2023-01-23T08:19:14Z
dc.identifier.issn1161-0492
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/10739
dc.descriptionA rock art panel from the site of el-Hosh featuring two boats along with human depictions, including one with royal regalia, alongside a presumed captor with a Nubian captive, adds a further important example of early royal iconography in Egyptian rock art. This early royal representation stands alongside the well-known panels from Nag el-Hamdulab and a depiction from the Wadi Mahamid in Elkab as the earliest depictions of kingship in the rock art medium. The three examples are roughly contemporaneous, with the el-Hosh panel sharing many features with the Nag el-Hamdulab figures. Despite the similarity we see in the smaller el-Hosh panel, we note the evidence that its production was of a less official nature. The display of a presumed captive and beheaded Nubian appears to reflect local conflict in the region during the period of production.en_US
dc.languageengen_US
dc.publisherPeetersen_US
dc.titleEarly royal iconography: a rock art panel from el-Hosh (Upper Egypt)en_US
dc.typeArticleen_US
dc.subject.frascatiHistory and Archaeologyen_US
dc.audienceScientificen_US
dc.subject.freeRock arten_US
dc.subject.freeel-Hoshen_US
dc.source.titleArchéo-Nilen_US
dc.source.volume32en_US
dc.source.page25-49en_US
Orfeo.peerreviewedYesen_US
dc.identifier.doi10.2143/ANI.32.0.3291130


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