L’exception qui confirme la règle : contribution à l’étude des portraits de Philippe le Bon, duc de Bourgogne.
| dc.contributor | Dubuisson, Laurent | |
| dc.contributor | Depuydt-Elbaum, Livia | |
| dc.contributor | Barbosa, Karen | |
| dc.contributor | Henderiks, Valentine | |
| dc.contributor.author | De Zutter, Elodie | |
| dc.coverage.spatial | Anciens Pays-Bas méridionnaux | en_US |
| dc.coverage.temporal | 15e-16e siècles | en_US |
| dc.date | 2014 | |
| dc.date.accessioned | 2023-04-20T13:56:14Z | |
| dc.date.available | 2023-04-20T13:56:14Z | |
| dc.identifier.citation | Elodie De Zutter, "L' exception qui confirme la règle : contribution à l'étude des portraits de Philippe le Bon, duc de Bourgogne", Revue belge d'Archéologie et d'Histoire de l'Art 73 (2014) p. 5-50 | en_US |
| dc.identifier.issn | 0035-077 | |
| dc.identifier.uri | https://orfeo.belnet.be/handle/internal/10913 | |
| dc.description | This article studies portraits painted on panel of the bust of Philip the Good, Duke of Burgundy. The in-depth analysis of a virtually unknown effigy, from the old Hôpital de la Madeleine in Ath, now kept in the local Musée d'Histoire et Folklore, sheds a new light on the rest of the corpus. Along with a brief summary of the research on the portraits of the duke, a detailed comparison is made between these and the panel from Ath, which turned out to be a real unicum inciting unpublished observations. This article aims to define all the iconographic, stylistic and contextual criteria allowing a better understanding of the painting. Its recent restoration by the Royal Institute for Cultural Heritage (KIK-IRPA) made available technical data that are used as a starting point for a series of assumptions on dating, attribution, function and material history. | en_US |
| dc.description | Prix - Prijs Simone Bergmans, 2014 | en_US |
| dc.language | fra | en_US |
| dc.publisher | Académie Royale d'Archéologie de Belgique | en_US |
| dc.title | L’exception qui confirme la règle : contribution à l’étude des portraits de Philippe le Bon, duc de Bourgogne. | en_US |
| dc.type | Article | en_US |
| dc.subject.frascati | Arts | en_US |
| dc.audience | Scientific | en_US |
| dc.subject.free | Philippe le Bon | en_US |
| dc.subject.free | Portrait | en_US |
| dc.subject.free | Ordre de la Toison d'or | en_US |
| dc.subject.free | Rogier van der Weyden | en_US |
| dc.source.title | Revue belge d’archéologie et d’histoire de l’art | en_US |
| dc.source.issue | LXXXIII | en_US |
| dc.source.page | 5 | en_US |
| Orfeo.peerreviewed | Yes | en_US |
| dc.identifier.publisherlink | https://www.acad.be/en/publicaties/revue-belge-darcheologie-et-dhistoire-de-lart | |
| dc.source.editor | Académie Royale d'Archéologie de Belgique | en_US |
