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dc.contributorKik, Oliver
dc.contributor.authorKik, Oliver
dc.contributor.editorLichtert, Katrien
dc.contributor.editorMartens, Maximiliaan P.J.
dc.contributor.editorDumoleyn, Jan
dc.coverage.spatialBelgiumen_US
dc.coverage.spatialSpainen_US
dc.coverage.spatialItalyen_US
dc.coverage.temporal16th centuryen_US
dc.date2014
dc.date.accessioned2024-01-22T10:56:31Z
dc.date.available2024-01-22T10:56:31Z
dc.identifier.citationOliver Kik, "Bramante in the north : imag(in)ing antiquity in the Low Countries (1500-1539)", in: J. Dumoleyn, K. Lichtert & Maximiliaan P.J. Martens (eds.), Portraits of the City. Representing Urban Space in Later Medieval and Early Modern Europe (Turnhout 2014), pp. 97-112.en_US
dc.identifier.isbn978-2-503-55226-2
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/11256
dc.descriptionThe article describes the influence of Bramante's architectural typology in Netherlandish art during the first decades of the Sixteenth century. When Netherlandish artists were looking for novel manners to represent antique architecture and ornament, Bramante was a voice of authority which was a helpful point of refence. In the case of Jan Gossart, this was though direct influence during his Roman sojourn of 1508. Other less-traveled artists (the majority) had to rely on drawn or printed sources. It is argued that copies of the famous Prevedari engraving provided a source for the construction of imaginary architecture for Antwerp Mannerist painters and Lambert Lombard.en_US
dc.languageengen_US
dc.publisherBrepolsen_US
dc.relation.ispartofseriesStudies in European Urban History (1100-1800)en_US
dc.titleBramante in the North: Imag(in)ing antiquity in the Low Countries (1500-1539)en_US
dc.typeBook chapteren_US
dc.audienceScientificen_US
dc.source.titlePortraits of the City. Representing Urban Space in Later Medieval and Early Modern Europeen_US
dc.source.volume31en_US
dc.source.page97-112en_US
Orfeo.peerreviewedYesen_US


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