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dc.contributor.authorBluard, C.
dc.contributor.editorComité international pour la muséologie (ICOFOM).
dc.coverage.spatialAfrica - Central
dc.coverage.spatialBelgium
dc.coverage.temporaldecoloniality, artist in residence, fellowship, decoloniality, relational heritage, source communities/diaspora, co-creation, belonging, DRC
dc.date2022
dc.date.accessioned2024-03-14T13:26:26Z
dc.date.available2024-03-14T13:26:26Z
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/12959
dc.descriptionThe AfricaMuseum is a former Belgian colonial museum which reopened in December 2018 after an extensive renovation. The museum's collections represent a significant heritage out of Africa that is missing in the DRC, Rwanda and Burundi. To enable source communities and artists to access these collections is now part of the museum s mission. The transfer of curatorial authority to curators who are directly concerned with the collections is also discussed. This paper demonstrates that decoloniality is a process and that it involves, to the source communities, a sense of belonging. Cultural heritage will be discussed as a potential relational tool for such a belonging. In addition, the part played by the source communities in the process of a museum s transformation and the role of contemporary art and artists will also be considered herein.
dc.languagefra
dc.title« Réorganisation »
dc.typeArticle
dc.subject.frascatiArts
dc.audienceScientific
dc.subject.freeProgram Partnerships
dc.source.titleICOFOM Study Series (en ligne)
dc.source.volume49-2
dc.source.page59-72
Orfeo.peerreviewedYes
dc.identifier.doiDOI : https://doi.org/10.4000/iss.3514
dc.identifier.urlURL : http://journals.openedition.org/iss/3514
dc.identifier.rmca6261


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