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dc.contributor.authorDecq, Louise
dc.contributor.authorSaverwyns, Steven
dc.contributor.authorKuvvetli, Filiz
dc.contributor.authorBaadsgaard, Elizabeth
dc.coverage.spatialDenmarken_US
dc.coverage.temporal1962en_US
dc.coverage.temporalModernismen_US
dc.coverage.temporal2oth centuryen_US
dc.date2024-10-02
dc.date.accessioned2025-06-20T09:50:07Z
dc.date.available2025-06-20T09:50:07Z
dc.identifier.citationDecq, L., Saverwyns, S., Filiz Kuvvetli, & Baadsgaard, E. . "Paint Composition and Delamination Concerns in Ole Schwalbe’s Portrait of a Painting III, 1962", Bulletin de l’Institut royal du Patrimoine artistique, 39 (2024); DOI : https://doi.org/10.4000/12iwx ‌en_US
dc.identifier.issn2983-855X
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/14054
dc.descriptionThis study investigates the preservation challenges associated with Ole Schwalbe's Portrait of a Painting III (1962). The painting, an example of minimalist abstract constructivism, suffers from severe paint delamination. Analytical techniques such as SEM-EDX, THM-GC/MS, micro-Raman spectroscopy and FTIR have been used to examine the paint composition and identify the causes of instability. The results suggest that incomplete curing processes and oxidative degradation in the thickly applied black paint has caused zinc soap accumulation in the underlying zinc white preparation layer. The volume reduction of the upper layers, combined with a swelling of the lower, has contributed to the degradation observed. This research provides insights into the conservation of post-war abstract artworks.en_US
dc.languageengen_US
dc.publisherInstitut royal du Patrimoine artistique - Koninklijk Instituut voor het Kunstpatrimoniumen_US
dc.titlePaint Composition and Delamination Concerns in Ole Schwalbe’s Portrait of a Painting III, 1962en_US
dc.typeArticleen_US
dc.subject.frascatiChemical sciencesen_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.subject.freepaint delamination, bone black, zinc carboxylates, ineffective oil paint curing, saponification, binder instability in thick paint layersen_US
dc.source.titleBulletin de l’Institut Royal Du Patrimoine Artistiqueen_US
dc.source.issue39en_US
Orfeo.peerreviewedYesen_US
dc.identifier.doi10.4000/12iwx


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