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dc.contributor.authorReyniers, Jeroen
dc.contributor.authorHoubey, Katrien
dc.coverage.spatialJesserenen_US
dc.coverage.spatialBorgloonen_US
dc.coverage.spatialHasselten_US
dc.coverage.spatialSint-Truidenen_US
dc.coverage.temporal1661-1663en_US
dc.date2024
dc.date.accessioned2025-06-25T08:58:39Z
dc.date.available2025-06-25T08:58:39Z
dc.identifier.citationJeroen Reyniers & Katrien Houbey, "Een zilveren kelk van de abdis van Herkenrode in de kerk van Jesseren", Tijdschrift voor Interieurgeschiedenis en Design, 46 (2024): 1-9.en_US
dc.identifier.issn2593-4198
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/14067
dc.descriptionJeroen Reyniers en Katrien Houbey, ‘Een zilveren kelk van de abdis van Herkenrode in de kerk van Jesseren’, Tijdschrift voor Interieurgeschiedenis en Design, 46, 2024 (2025), p. 1-9. An art historical study of a silver chalice; identification of the silver marks, the depicted coat of arms and a context analysis in the archives focussing on the provenance and the link between Herkenrode Abbey and the church of Jesseren.en_US
dc.descriptionA silver chalice belonging to the abbess of Herkenrode in Jesseren church In the Holy Cross church in Jesseren near Borgloon, a thorough inventory campaign in 2018 led to the discovery of a silver chalice that had not previously been subjected to study. Stylistically, the chalice can be dated back to the seventeenth century, and bears a coat of arms with the motto “Pie et Provide”. In previous inventories, the chalice had only been described briefly, and it had apparently been impossible to identify the hallmark or the coat of arms with the accompanying motto. The hallmark, although difficult to read, can be linked to silversmith Peter II Massart from Sint-Truiden, who produced the chalice between 1661 and 1663. Since her coat of arms appears on the foot of the chalice, the object must have been commissioned by Anna Catharina de Lamboy (1609-1675), abbess of the Cistercian abbey of Herkenrode, near Hasselt. In the Jesseren church archives, the oldest archival source mentioning the chalice dates from 1883. Whether the chalice was made for the Herkenrode abbey or specifically for the church in Jesseren is debatable. There is insufficient source material to rule out extensive use within the abbey walls. For centuries, the Herkenrode abbey held the patronage rights of the church of Jesseren. It appointed the parish priest and was responsible for the maintenance of the building and the cult. A visitation report from 1666 states that a new silver chalice has been put into use in this church. It is very likely a reference to the chalice that is the subject of this study.en_US
dc.languagenlden_US
dc.publisherUniversity of Ghenten_US
dc.publisherPeeters Publishersen_US
dc.titleEen zilveren kelk van de abdis van Herkenrode in de kerk van Jesserenen_US
dc.typeArticleen_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.subject.freesilveren_US
dc.subject.freeHerkenrode Abbeyen_US
dc.subject.freeAnna-Catharina de Lamboyen_US
dc.subject.freeJesseren Churchen_US
dc.subject.freeArt Historical researchen_US
dc.subject.freeBaroque arten_US
dc.subject.freeSint-Truidenen_US
dc.subject.freeArchival researchen_US
dc.source.titleTijdschrift voor Interieurgeschiedenis en Designen_US
dc.source.volume46en_US
dc.source.page1-9en_US
Orfeo.peerreviewedYesen_US
dc.identifier.publisherlinkhttps://poj.peeters-leuven.be/content.php?url=journal&journal_code=GBI
dc.identifier.doi10.2143/GBI.46.0.3293680


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