Nkisi Figures as Theater Props. Tracing the History of Seven Ritual Objects from Congo to Cleveland
dc.contributor.author | Vanhee, Hein. | |
dc.contributor.editor | C. Petridis | |
dc.date | 2013 | |
dc.date.accessioned | 2016-03-15T10:06:53Z | |
dc.date.available | 2016-03-15T10:06:53Z | |
dc.identifier.uri | https://orfeo.belnet.be/handle/internal/2027 | |
dc.language | eng | |
dc.publisher | The Cleveland Museum of Art | |
dc.title | Nkisi Figures as Theater Props. Tracing the History of Seven Ritual Objects from Congo to Cleveland | |
dc.type | Book chapter | |
dc.subject.frascati | Sociology | |
dc.audience | General Public | |
dc.subject.free | Culture & Society | |
dc.source.title | Fragments of the Invisible | |
dc.source.page | 54-60 | |
Orfeo.peerreviewed | No | |
dc.identifier.rmca | 3390 |
Files in this item
Files | Size | Format | View |
---|---|---|---|
There are no files associated with this item. |