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Thomas Eakins Under the Microscope: A Technical Study of the Rowing Paintings

dc.contributor.authorCurrie, Christina
dc.contributor.editorCooper, Helen A.
dc.coverage.spatialUSAen_US
dc.coverage.temporal19th centuryen_US
dc.date1996
dc.date.accessioned2021-03-12T09:44:03Z
dc.date.available2021-03-12T09:44:03Z
dc.identifier.citationChristina Currie, ‘Thomas Eakins under the Microscope : A Technical Study of the Rowing Paintings’, in : Thomas Eakins : The Rowing Pictures, ed. Helen A. Cooper, (New Haven and London, 1996), pp. 90-101 ; republished in : American Artist, 61 (1997), pp. 12-19.en_US
dc.identifier.isbn0300069391
dc.identifier.isbn089467076x
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/7740
dc.descriptionThe contribution is a chapter in a book on Thomas Eakins' rowing pictures. It a technical study of the rowing paintings in oil on canvas based on observation with the binocular microscope and technical analysis. It offers a glimpse into his creative process for this type of subject.en_US
dc.languageengen_US
dc.publisherYale University Art Galleryen_US
dc.titleThomas Eakins Under the Microscope: A Technical Study of the Rowing Paintingsen_US
dc.typeArticleen_US
dc.subject.frascatiArtsen_US
dc.audienceGeneral Publicen_US
dc.subject.freeThomas Eakinsen_US
dc.source.titleThomas Eakins The Rowing Picturesen_US
dc.source.page90-101; 129-131en_US
Orfeo.peerreviewedNoen_US


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