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dc.contributor.authorLamas, Eduardo
dc.coverage.temporal17th centuryen_US
dc.date2013
dc.date.accessioned2021-05-28T09:10:00Z
dc.date.available2021-05-28T09:10:00Z
dc.identifier.citationEduardo Lamas, 'Partnership between Painters and Sculptors in 17th-Century Spain: on Model Drawings by Francisco Rizi for an Altarpiece of the Expectant Virgin', RIHA Journal, 0063, 2013.en_US
dc.identifier.otherhttp://nbn-resolving.de/urn:nbn:de:101:1-2013022716655
dc.identifier.otherhttps://balat.kikirpa.be/document/200055247en_US
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/7776
dc.descriptionThis paper deals with a case study of the collaboration between sculptors and painters in the context of the construction of altarpieces in 17th-century Spain. It analyses a drawing by Francisco Rizi (Madrid, 1614-Escorial, 1685) in the British Museum depicting a sculptural group and fragments of an architectural framework, and relates it to two other drawings by the same artist in the National Library of Spain. They are identified as fragments of the design drawing of the former altarpiece of the Expectant Virgin in the church of the Calced Trinitarians in Madrid.en_US
dc.languageengen_US
dc.publisherRIHAen_US
dc.titlePartnership between painters and sculptors in 17th-century Spain : on model drawings by Francisco Rizi for an altarpiece of the Expectant Virginen_US
dc.typeArticleen_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.subject.freeDrawingen_US
dc.source.titleRIHA Journalen_US
dc.source.issue2013en_US
dc.source.pagehttp://nbn-resolving.de/urn:nbn:de:101:1-2013022716655en_US
Orfeo.peerreviewedYesen_US
dc.identifier.publisherlinkhttps://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/69806
dc.identifier.doihttps://doi.org/10.11588/riha.2013.0.69806
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