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dc.contributor.authorLamas, Eduardo
dc.coverage.temporal17th centuryen_US
dc.date2011
dc.date.accessioned2021-05-28T09:44:14Z
dc.date.available2021-05-28T09:44:14Z
dc.identifier.citationEduardo Lamas, "'Un autre Rubens': l'influence du rubénisme dans la peinture courtisane espagnole à travers l'exemple de l'oeuvre de Francisco Rizi (1614-1685)", in : Revue belge d'Archéologie et d'Histoire de l'Art, 80-1 (2011): pp. 179-196en_US
dc.identifier.issn0035-077X
dc.identifier.otherhttps://balat.kikirpa.be/document/200054056
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/7779
dc.descriptionIn Spain and especially in Madrid baroque paintings show a significant influence of Rubens, both in formal terms and from a technical point of view. The influence excerted by Rubens and his followers was mediated by two channels: firstly by the works of these artists that were kept in Spain and secondly by prints coming from the Spanish Netherlands. Among the artists that initiated this trend in Madrid, Francisco Rizi de Guevara (1614-1685) was one of the most influential since he was appointed royal painter to the Spanish court. The paintings of Rizi deploy an exuberance that can be attributed directly to the influence of Rubens and the use of the colours and the pictorial technique point to a direct study of works of Rubens available in Madrid at that time.en_US
dc.languagefraen_US
dc.publisherAcadémie royale d'Archéologie de Belgiqueen_US
dc.title"Un autre Rubens": l'influence du rubénisme dans la peinture courtisane espagnole à travers l'exemple de l'oeuvre de Francisco Rizi (1614-1685)en_US
dc.typeArticleen_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.subject.freeFlemish Baroque paintingen_US
dc.source.titleRevue belge d'Archéologie et d'Histoire de l'Arten_US
dc.source.volume80en_US
dc.source.issue1en_US
dc.source.page179-196en_US
Orfeo.peerreviewedYesen_US
dc.identifier.publisherlinkhttps://www.acad.be/fr/revue-belge-darcheologie-et-dhistoire-de-lart


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