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dc.contributor.authorLamas, Eduardo
dc.coverage.temporal17th centuryen_US
dc.date2014
dc.date.accessioned2021-05-28T10:51:30Z
dc.date.available2021-05-28T10:51:30Z
dc.identifier.citationEduardo Lamas-Delgado, 'Le peintre Bernabé de Ayala et autres petits maîtres entre Séville et Cadix', in : Annales d'Histoire de l'Art et d'Archéologie, 36 (2014), pp. 71-94en_US
dc.identifier.issn0771-2723
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/7784
dc.descriptionDetailed analysis of the historiographical references to the painter Bernabé de Ayala (Jerez, 1620/25-Cadiz, after 1689), one of Francisco de Zurbaran's disciples, as well as some new archival data, permit a new and complete vision of his life, artistic activity and professional relations in the cities of Seville and Cadiz, in close connection with the Altlantic trade. This article also offers new elements about the life of the following artists: Antonio Hidalgo, Diego Trujillo and Miguel Legot (ca. 1627-1695).en_US
dc.languagefraen_US
dc.publisherUniversité libre de Bruxelles (ULB)en_US
dc.titleLe peintre Bernabé de Ayala et autres petits maîtres entre Séville et Cadixen_US
dc.typeArticleen_US
dc.subject.frascatiArtsen_US
dc.audienceScientific
dc.subject.freeArt Historyen_US
dc.source.titleAnnales d'Histoire de l'Art et d'Archéologieen_US
dc.source.issue36en_US
dc.source.page71-94en_US
Orfeo.peerreviewedYesen_US


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