Le peintre Bernabé de Ayala et autres petits maîtres entre Séville et Cadix

dc.contributor.author	Lamas, Eduardo
dc.coverage.temporal	17th century	en_US
dc.date	2014
dc.date.accessioned	2021-05-28T10:51:30Z
dc.date.available	2021-05-28T10:51:30Z
dc.identifier.citation	Eduardo Lamas-Delgado, 'Le peintre Bernabé de Ayala et autres petits maîtres entre Séville et Cadix', in : Annales d'Histoire de l'Art et d'Archéologie, 36 (2014), pp. 71-94	en_US
dc.identifier.issn	0771-2723
dc.identifier.other	https://balat.kikirpa.be/document/200058492
dc.identifier.uri	https://orfeo.belnet.be/handle/internal/7784
dc.description	Detailed analysis of the historiographical references to the painter Bernabé de Ayala (Jerez, 1620/25-Cadiz, after 1689), one of Francisco de Zurbaran's disciples, as well as some new archival data, permit a new and complete vision of his life, artistic activity and professional relations in the cities of Seville and Cadiz, in close connection with the Altlantic trade. This article also offers new elements about the life of the following artists: Antonio Hidalgo, Diego Trujillo and Miguel Legot (ca. 1627-1695).	en_US
dc.language	fra	en_US
dc.publisher	Université libre de Bruxelles (ULB)	en_US
dc.title	Le peintre Bernabé de Ayala et autres petits maîtres entre Séville et Cadix	en_US
dc.type	Article	en_US
dc.subject.frascati	Arts	en_US
dc.audience	Scientific
dc.subject.free	Art History	en_US
dc.source.title	Annales d'Histoire de l'Art et d'Archéologie	en_US
dc.source.issue	36	en_US
dc.source.page	71-94	en_US
Orfeo.peerreviewed	Yes	en_US