La Lactación de san Bernardo de Francisco Rizi (1614-1685) en el Colegio de la Compañía en Oropesa y sus últimos cuadros altar : nuevas reflexiones sobre el estilo final del artista
| dc.contributor.author | Lamas, Eduardo | |
| dc.coverage.temporal | 17th century | en_US |
| dc.date | 2013 | |
| dc.date.accessioned | 2021-05-28T11:54:23Z | |
| dc.date.available | 2021-05-28T11:54:23Z | |
| dc.identifier.citation | Eduardo Lamas Delgado, 'La Lactación de san Bernardo de Francisco Rizi (1614-1685) en el Colegio de la Compañía en Oropesa y sus últimos cuadros altar: nuevas reflexiones sobre el estilo final del artista', in: Ars bilduma, 3 (2013), pp. 68-80 | en_US |
| dc.identifier.other | https://balat.kikirpa.be/document/200055801 | |
| dc.identifier.uri | https://orfeo.belnet.be/handle/internal/7786 | |
| dc.description | The Lactation of Saint Bernard by Francisco Rizi (1614-1685) in the Jesuit College in Oropesa and his last altarpieces: new reflections on the final style of the artist. The former Jesuit College in the town of Oropesa, in the province of Toledo, had an enormous altarpiece dedicated to the miraculous lactation of Saint Bernard, which is discussed here for the first time, studying its chronology, style and historical context. Then the painting is enroll in the whole of the artist's work, particularly the production of large altarpieces during the final period of his life. | en_US |
| dc.language | spa | en_US |
| dc.publisher | Universidad del País Vasco | en_US |
| dc.title | La Lactación de san Bernardo de Francisco Rizi (1614-1685) en el Colegio de la Compañía en Oropesa y sus últimos cuadros altar : nuevas reflexiones sobre el estilo final del artista | en_US |
| dc.type | Article | en_US |
| dc.subject.frascati | Arts | en_US |
| dc.audience | Scientific | en_US |
| dc.subject.free | Art History | en_US |
| dc.source.issue | 3 | en_US |
| dc.source.page | 68-80 | en_US |
| Orfeo.peerreviewed | Yes | en_US |
| dc.identifier.url | http://hdl.handle.net/10810/44865 |
