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dc.contributor.authorCurrie, Christina
dc.date2020-02-22
dc.date.accessioned2021-06-03T11:35:21Z
dc.date.available2021-06-03T11:35:21Z
dc.identifier.citationChristina Currie, ‘The Adoration of the Kings in the snow : the making of a masterpiece’, lecture, Winterthur (Switzerland), Sammlung Oskar Reinhart “Am Römerholz”, 22 February 2020en_US
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/7806
dc.descriptionThis lecture was given during the exhibition 'The Miracle in the Snow. Pieter Bruegel the Elder' at the Oskar Reinhart Collection ‘Am Römerholz’ Winterthur, 23 November 2019-1 March 2020. It tackles the question of authenticity, given the fact that Bruegel's Adoration of the Kings in the Snow was copied multiple times by his elder son, Pieter Brueghel the Younger. To this end, the painting is examined from the point of view of its techniques and materials as well as its sublime pictorial style. Seemingly effortless, Bruegel was in fact an inveterate planner and did much more preparation for the composition than is seen at first glance. Surprisingly, the copies provide clues about the creative process of the original version.en_US
dc.languageengen_US
dc.titleThe Adoration of the Kings in the Snow: The Making of a Masterpieceen_US
dc.typeLectureen_US
dc.subject.frascatiArtsen_US
dc.audienceGeneral Publicen_US
dc.subject.freePieter Brueghel the Youngeren_US
dc.subject.freePieter Bruegel the Elderen_US
dc.subject.freeAdoration of the Kings in the Snowen_US
dc.subject.freeTechnical art historyen_US
Orfeo.peerreviewedNoen_US
dc.identifier.urlhttps://www.youtube.com/channel/UCwsGuC_QUYDhIzsc611EuJw/


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