Mary Magdalene in Ecstasy by Artemisia Gentileschi. A Technical Study
| dc.contributor.author | Currie, Christina | |
| dc.contributor.editor | Barker, Sheila | |
| dc.date | 2017 | |
| dc.date.accessioned | 2021-06-03T14:09:38Z | |
| dc.date.available | 2021-06-03T14:09:38Z | |
| dc.identifier.citation | Christina Currie, Livia Depuydt, Valentine Henderiks, Steven Saverwyns & Ina Vanden Berghe, ‘Mary Magdalene in Ecstasy by Artemisia Gentileschi : a Technical Study’, in : Artemesia Gentileschi in a Changing Light, ed. Sheila Barker, (London-Turnhout, 2017), pp. 217-235 | en_US |
| dc.identifier.isbn | 978-1-909400-89-4 | |
| dc.identifier.uri | https://orfeo.belnet.be/handle/internal/7820 | |
| dc.description | The contribution examines a newly discovered masterpiece by Artemisia Gentileschi, Mary Magdalene in Ecstasy, painted at the height of her creative powers in the early 1620s. It contextualises the technical observations and results of analysis, tracing the influence of both Caravaggio and her father, Orazio Gentileschi. An unexpected discovery from the X-radiograph was that Artemisia significantly reduced the amplitude of the white blouse during painting, which was surely an intended toning down of the sensuality of the image. | en_US |
| dc.language | eng | en_US |
| dc.publisher | Harvey Miller Publishers | en_US |
| dc.publisher | Brepols Publishers, Turnhout | en_US |
| dc.relation.ispartofseries | The Medici Archive Project Series | en_US |
| dc.title | Mary Magdalene in Ecstasy by Artemisia Gentileschi. A Technical Study | en_US |
| dc.type | Book chapter | en_US |
| dc.subject.frascati | Arts | en_US |
| dc.audience | Scientific | en_US |
| dc.audience | General Public | en_US |
| dc.source.title | Artemesia Gentileschi in a Changing Light | en_US |
| dc.source.page | 217-235 | en_US |
| dc.relation.project | http://balat.kikirpa.be/object/11003180 | en_US |
| Orfeo.peerreviewed | Not pertinent | en_US |
| dc.source.editor | Sheila Barker | en_US |
