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dc.contributor.authorCurrie, Christina
dc.contributor.authorVanwijnsberghe, Dominique
dc.contributor.authorSaverwyns, Steven
dc.contributor.editorPanayotova, Stella
dc.contributor.editorRicciardi, Paola
dc.date2018
dc.date.accessioned2021-06-03T15:26:02Z
dc.date.available2021-06-03T15:26:02Z
dc.identifier.citationChristina Currie, Steven Saverwyns & Dominique Vanwijnsberghe, ‘The Spanish Forger exposed : an interdisciplinary study of two of his paintings’, in : Manuscripts in the making (Art & Science, vol. 2), ed. Stella Panayotova & Paola Ricciardi, (London-Turnout, 2018), pp. 190-202en_US
dc.identifier.isbn978-1-912554-13-3
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/7836
dc.descriptionThe elusive Spanish Forger, active both as a painter and an illuminator, was most probably French and worked in Paris at the beginning of the twentieth century. The contribution discusses in depth the technical and scientific analysis of two works by the Spanish Forger that were examined at the Royal Institute for Cultural Heritage, Brussels. One is a triptych with a Coronation of a French king, an ingenious and striking piece that was made to give the impression of a small fifteenth-century transportable altarpiece. The other is a panel depicting a Knighting Ceremony, which is smaller and less ambitious but remarkably similar in its structure.en_US
dc.languageengen_US
dc.publisherHarvey Miller Publishersen_US
dc.titleThe Spanish Forger exposed : an interdisciplinary study of two of his paintingsen_US
dc.typeBook chapteren_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.audienceGeneral Publicen_US
dc.subject.freeSpanish Forgeren_US
dc.source.titleManuscripts in the Making. Art & Scienceen_US
dc.source.volume2en_US
dc.source.page190-202en_US
dc.relation.projecthttp://balat.kikirpa.be/object/50008196en_US
dc.relation.projecthttp://balat.kikirpa.be/object/20064142en_US
Orfeo.peerreviewedNot pertinenten_US
dc.source.editorStella Panayotova & Paola Ricciardien_US


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