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Copies of Flemish Masters in the Hispanic World (1500-1700) : "Flandes" by Substitution

dc.contributor.authorLamas, Eduardo
dc.contributor.authorGarcía Cueto, David
dc.contributor.authorWeiss, Jessica
dc.contributor.authorJennings, Nicola
dc.contributor.authorHerrero-Cortell, Miquel Àngel
dc.contributor.authorPuig, Isidro
dc.contributor.authorPérez Preciado, Juan José
dc.contributor.authorAlba, Laura
dc.contributor.authorCampbell, Lorne
dc.contributor.authorDubois, Hélène
dc.contributor.authorHarth, Astrid
dc.contributor.authorPérez de Tudela, Almudena
dc.contributor.authorGrappasonni, Marie
dc.contributor.authorMoralejo Ortega, Macarena
dc.contributor.authorDiéguez-Rodríguez, Ana
dc.contributor.authorRodríguez Rebollo, Ángel
dc.contributor.authorGarcía Luque, Manuel
dc.contributor.editorLamas, Eduardo
dc.contributor.editorGarcía Cueto, David
dc.coverage.spatialBelgiumen_US
dc.coverage.spatialSpainen_US
dc.coverage.temporal15th centuryen_US
dc.coverage.temporal16th centuryen_US
dc.coverage.temporal17th centuryen_US
dc.date2021
dc.date.accessioned2021-06-08T16:17:10Z
dc.date.available2021-06-08T16:17:10Z
dc.identifier.citationCopies of Flemish Masters in the Hispanic World (1500-1700) : "Flandes" by Substitution, ed. by E. Lamas & D. García Cueto (Turnhout, 2021)en_US
dc.identifier.isbn978-2-503-58025-8
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/7869
dc.descriptionThe artistic heritage of the regions that once formed part of the former Spanish Empire comprises a large number of painted copies after Flemish masters made in the sixteenth and seventeenth centuries. Most of these works have received little attention despite the fact that they constitute a valuable source for understanding the artistic influence of the Southern Netherlands on Spanish and Latin American art and society. Approaching the phenomenon of the copy from a large variety of perspectives, ranging from workshop practices to collecting, trade and patronage, the research presented in this volume investigates the driving forces behind the export-driven market of copies, which included artists, patrons, collectors and merchants. By taking into account cultural, religious, political and socioeconomic dynamics, this volume aims to shed new light on the multifaceted artistic impact of the Southern Netherlands on the Hispanic world during this significant period.en_US
dc.descriptionTable of Contents : Introduction — Eduardo Lamas & David García Cueto; Castilian Legacy and Juan de Flandes’s Miraflores Copy — Jessica Weiss; Imitation, Inspiration or Innovation? Juan de Flandes and the Use of Models from Illuminated Manuscripts — Nicola Jennings; Spanish Fortunes of a Flemish ‘Ecce Homo’: On the Bouts Family’s Originals, Workshop Replicas, Flemish Copies, and Hispanic Imitations — Miquel Àngel Herrero-Cortell & Isidro Puig Sanchis; Jan Gossaert’s Deesis: Copying Van Eyck’s Ghent Altarpiece — José Juan Pérez Preciado; Michiel Coxcie’s Copies for the Spanish Court: A Technical Comparison between the Copy of the Van Eycks’ Ghent Altarpiece and the Copy of Rogier van der Weyden’s Descent from the Cross — Laura Alba, Lorne Campbell, Hélène Dubois and José Juan Pérez-Preciado; Mastering Divine Faces: Titian’s Sacred Images of Christ and the Virgin for Charles V — Astrid Harth; Las copias de los retratos de Antonio Moro durante su segunda estancia en España (1559–1561) — Almudena Pérez de Tudela; Les copies de Marcellus Coffermans pour le marché espagnol — Marie Grappasonni; Copies Emulating Federico Zuccari’s Model for the Annunziata Church in Rome (1570–1600) — Macarena Moralejo Ortega; ‘It copies the Crucifixion from Alsemberg’: On the Influence of Coxcie on the Calvary of Hendrick de Clerck for the Church of Saint-Josse-ten-Noode in Brussels — Ana Diéguez-Rodríguez ; Rubens, Martínez del Mazo and the Decoration of the Prince’s Apartments in the Alcázar of Madrid — Ángel Rodríguez Rebollo ; The Reflection of ‘Flandes’ in the Spanish Royal Collections: Copies after Rubens in the Patrimonio Nacional — David García Cueto ; ‘It is a copy after Rubens or Van Dyck’: Copying Flemish Paintings in Granada — Manuel García Luque ; The Copies by Miguel Manrique and Western Mediterranean Commercial Networks — Eduardo Lamasen_US
dc.languageengen_US
dc.publisherBrepolsen_US
dc.titleCopies of Flemish Masters in the Hispanic World (1500-1700) : "Flandes" by Substitutionen_US
dc.typeBooken_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.subject.freeFlemish paintingen_US
dc.subject.freeNetherlandish arten_US
dc.subject.freepainted copyen_US
Orfeo.peerreviewedNoen_US
dc.identifier.publisherlinkhttps://www.brepols.net/products/IS-9782503580258-1


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