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The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés : an unusual altarpiece

dc.contributor.authorSandalinas Linares, Carmen
dc.contributor.authorFransen, Bart
dc.contributor.authorVan Eyck, Elisabeth
dc.contributor.editorBorchert, Till-Holger
dc.contributor.editorDubois, Anne
dc.contributor.editorCouvert, Jacqueline
dc.date2018
dc.date.accessioned2021-11-10T12:15:24Z
dc.date.available2021-11-10T12:15:24Z
dc.identifier.citationCarmen Sandalinas Linares, Bart Fransen & Elisabeth Van Eyck, "The polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés : an unusual altarpiece", in: Technical studies of paintings : problems of attribution (15th -17th centuries), ed. A. Dubois, J. Couvert & T.-H. Borchert (Leuven, 2018), pp. 122-137en_US
dc.identifier.isbn978-90-429-3532-7
dc.identifier.isbn978-90-429-3532-7
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/8100
dc.descriptionPapers presented at the nineteenth symposium for the study of underdrawing and technology in painting held in Bruges, 11-13 September 2014en_US
dc.languageengen_US
dc.publisherPeetersen_US
dc.relation.ispartofseriesTechnical studies of paintings : problems of attribution (15th-17th centuries)en_US
dc.titleThe Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés : an unusual altarpieceen_US
dc.typeBook chapteren_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.source.titleUnderdrawing and technology in painting : symposium;en_US
dc.source.volume19en_US
dc.source.issue2018en_US
dc.source.page122-137en_US
Orfeo.peerreviewedNoen_US


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