L'estetica del quotidiano. Corporalità ed economie di sopravvivenza tra gli scultori della Maison des Artisans dei Bamako (Mali)
| dc.contributor.author | Panella, C. | |
| dc.contributor.editor | M. Pavanello. and E. Vasconi | |
| dc.date | 2011 | |
| dc.date.accessioned | 2016-03-15T10:03:56Z | |
| dc.date.available | 2016-03-15T10:03:56Z | |
| dc.identifier.uri | https://orfeo.belnet.be/handle/internal/951 | |
| dc.description | In my paper, I propose regarding the acts of production behind airport (tourist) art as cultural heritage , as they are indicators of adaptation strategies paramount to innovation and cultural reprocessing. From this perspective, I differentiate between the principle of materiality associated with UNESCO World Heritage selection criteria and the principle of corporality evident in Michael Herzfeld s analysis of Crete s policies on the making of heritage (Herzfeld 2004). The principle of materiality includes a spatial-temporal conception that rejects the contemporaneousness between the work and the acts of production, the latter being assimilated to an anti-modern corporality (Herzfeld 2004) of social actors. Malian cultural policy on heritage establishment is based on such a principle and, owing to the international African art market s monopoly on aesthetic criteria, determines the exclusion of economic survival strategies and marks of identity of airport art sculptors. Contrary to this perspective, the principle of corporality that I propose includes a social meaning of cultural heritage according to which the human body is considered a holder of capital of the social relations of work (Jackson & Palmer-Jones 1999). From the reconstruction of the production network of sculptors of the Maison des Artisans in Bamako emerges a social aesthetic through which iconographic innovation comes from the economic precariousness and hierarchical relations governing the workshops. | |
| dc.language | fra | |
| dc.publisher | Roma, Sapienza Università di Roma | |
| dc.title | L'estetica del quotidiano. Corporalità ed economie di sopravvivenza tra gli scultori della Maison des Artisans dei Bamako (Mali) | |
| dc.type | Article | |
| dc.subject.frascati | Sociology | |
| dc.audience | Scientific | |
| dc.subject.free | Culture & Society | |
| dc.source.title | L'uomo. Società Tradizione Sviluppo | |
| dc.source.volume | 1-2; La ricerca africanista in Italia. Studi in memoria di Bernando Bernardi | |
| dc.source.page | 57-69 | |
| Orfeo.peerreviewed | Yes | |
| dc.identifier.rmca | 3831 |
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