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    Danses, possessions et génies : les sociétés thérapeutiques féminines d Ombudi

    Authors
    Jadinon, R.
    Discipline
    Arts
    Subject
    Culture & Society
    Audience
    Scientific
    Date
    2016
    Publisher
    royal museum for central africa
    Metadata
    Show full item record
    Description
    To keep collections from languishing, Anne-Marie Bouttiaux set them in motion, multiplying the gazes, perspectives, and horizons from which they are explored. Not only has she made masks dance; she has danced with them. We no longer speak of, or since, but with. The body is the place of knowledge, and dance the desire that moves it. The anthropology of dance should not be taken as a specialised discipline focussing its attention on a specific practice known as dance. It refers to a technique of producing knowledge that develops within and through experience, that Nietzsche calls the gay science . This liber amicorum pays homage to her exceptional career, during which she brought both daring and care to her combined roles as conservator, author, book editor, exhibition curator, and researcher. All the contributions to this book discuss themes that nourished and fuelled her work.
    Citation
    Jadinon, R. (2016). Danses, possessions et génies : les sociétés thérapeutiques féminines d Ombudi. , Danse des masques, jubilation des corps. Un liber amicorum en hommage à Anne-Marie Bouttiaux, Vol. Vol. 178, 134, royal museum for central africa,
    Identifiers
    isbn: 978-9-4922-4476-5
    uri: https://orfeo.belnet.be/handle/internal/11604
    Type
    Book chapter
    Peer-Review
    Yes
    Language
    fra
    Links
    NewsHelpdeskBELSPO OA Policy

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