A personal contribution to the promotion of printmaking in 19th-century Belgium : Adolphe Siret’s (1818-1888) private collection revealed
| dc.contributor.author | Van Ooteghem, Sarah | |
| dc.date | 2015 | |
| dc.date.accessioned | 2017-06-02T12:40:17Z | |
| dc.date.available | 2017-06-02T12:40:17Z | |
| dc.identifier.uri | https://orfeo.belnet.be/handle/internal/5679 | |
| dc.language | eng | en_US |
| dc.title | A personal contribution to the promotion of printmaking in 19th-century Belgium : Adolphe Siret’s (1818-1888) private collection revealed | en_US |
| dc.type | Book chapter | en_US |
| dc.subject.frascati | History and Archaeology | en_US |
| dc.subject.frascati | Arts | en_US |
| dc.audience | Scientific | en_US |
| dc.source.title | Animateur d’art: Dealer, collector, critic, publisher…: The animateur d'art and his multiples roles. Pluridisciplinary research of these disregarded cultural mediators of the 19th and 20th centuries | en_US |
| dc.source.page | 185-198 | en_US |
| Orfeo.peerreviewed | Not pertinent | en_US |
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