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dc.contributor.authorLamas, Eduardo
dc.date2012
dc.date.accessioned2021-05-28T09:16:16Z
dc.date.available2021-05-28T09:16:16Z
dc.identifier.citationEduardo Lamas, 'Les peintures de Carducho, Rizi et Carreño pour le couvent des capucins de Ségovie : nouvelles contributions sur un mécénat méconnu, un tableau d'autel oublié et un cycle pictural disparu', in : Zeitschrift für Kunstgeschichte 75. Bd., H. 2 (2012), pp. 223-238en_US
dc.identifier.otherhttps://balat.kikirpa.be/document/200054041
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/7777
dc.description.abstractThe article discusses the history of art works commissioned for the Capucin monastery of Segovia, Spain with a focus on research concerning 17th century patronage contracts signed with artists for works for the monastery. Topics include background on the commissioning of the works, the contract between the monastery and 17th century knight Antonio de Contreras, which allowed de Contreras and his wife to live in the monastery building, and Contreras' agreements with 17th century Spanish artists including Vincente Carducho, Francisco Rizi, and Juan Carreño.
dc.languagefraen_US
dc.publisherDeutscher Kunstverlag GmbHen_US
dc.titleLes peintures de Carducho, Rizi et Carreño pour le couvent des capucins de Ségovie : nouvelles contributions sur un mécénat méconnu, un tableau d’autel oublié et un cycle pictural disparuen_US
dc.typeArticleen_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.source.titleZeitschrift für Kunstgeschichteen_US
dc.source.volume75en_US
dc.source.issue2en_US
dc.source.page223-238en_US
Orfeo.peerreviewedYesen_US


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