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dc.contributor.authorCurrie, Christina
dc.contributor.authorAllart, Dominique
dc.date2019
dc.date.accessioned2021-06-03T14:46:34Z
dc.date.available2021-06-03T14:46:34Z
dc.identifier.citationChristina Currie & Dominique Allart, "Observations on the genesis of Pieter Bruegel the Elder's 'The conversion of Saul' and the examination of 'Two Copies’", in : ‘Bruegel. The hand of the master : the 450th Anniversary Edition : essays in context’, eds Alice Hoppe-Harnoncourt, Elke Oberthaler, Sabine Pénot, Manfred Sellink & Ron Spronk, (Vienna, 2019), pp. 124-149en_US
dc.identifier.isbn978 94 9267 782 2
dc.identifier.urihttps://orfeo.belnet.be/handle/internal/7829
dc.descriptionThis study reassesses the techniques and creative process behind the production of Pieter Bruegel the Elder's 'Conversion of Saul' and examines the status of the two known copies, focusing primarily on the Villa Vauban version, which has technical links to the production of Pieter Brueghel the Younger. The anonymous, privately owned copy is considered in relation to Bruegel the Elder's original version, as this copy probably represents the best witness to the cropped top and left edges of the original composition.en_US
dc.languageengen_US
dc.publisherFranz Pichorneren_US
dc.publisherGautier Platteauen_US
dc.publisherHannibal Publishingen_US
dc.publisherKHM-Museumsverbanden_US
dc.titleObservations on the Genesis of Pieter Bruegel the Elder's The Conversion of Saul and the Examination of Two Copiesen_US
dc.typeBook chapteren_US
dc.subject.frascatiArtsen_US
dc.audienceScientificen_US
dc.audienceGeneral Publicen_US
dc.subject.freeConversion of Saulen_US
dc.subject.freePieter Brueghel the Youngeren_US
dc.subject.freePieter Bruegel the Elderen_US
dc.source.titleBruegel. The Hand of the Master, The 450th Anniversary Edition. Essays in Contexten_US
dc.source.page124-149en_US
dc.relation.projecthttp://balat.kikirpa.be/object/11032303en_US
dc.relation.projecthttp://balat.kikirpa.be/object/40006808en_US
Orfeo.peerreviewedNoen_US
dc.source.editorAlice Hoppe-Harnoncourt, Elke Oberthaler, Sabine Pénot, Manfred Sellink and Ron Spronken_US


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