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    The copies by Miguel Manrique and Western Mediterranean commercial networks

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    Lamas_Miguel Manrique_2021.pdf (4.404Mb)
    Authors
    Lamas, Eduardo
    Discipline
    Arts
    Subject
    Flemish painting
    Baroque painting
    art market
    Manrique, Miguel
    De Wael, Cornelis
    Audience
    Scientific
    Date
    2021
    Publisher
    Brepols
    Metadata
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    Description
    The Flemish painter Miguel Manrique (Marche-en-Famenne [?], ca. 1610/12- Malaga, 1647), known as Michele Fiammingo in Genoa, developed his career in Italy and in Spain. Some authors affirmed that he was trained by Rubens in Antwerp. At the end of his life he established himself in the city of Malaga, where he combined his profession as a painter with activities as a merchant and a moneylender. The little is known about his work in Spain let suppose that he dedicated a part of his artistic activity there to the production of copies after Rubens' models. This paper analyses this little known production and link it with other copies made by other local artists after Baroque Flemish masters, and it does discuss an eventual local production of copies in Malaga in concurrence or in collaboration with the art dealing houses in Antwerp within the Spanish art market.
    Citation
    Eduardo Lamas, 'The copies by Miguel Manrique and Western Mediterranean commercial networks', in: Copies of Flemish Masters in the Hispanic World (1500-1700) : "Flandes" by Substitution, ed. by E. Lamas & D. García Cueto (Turnhout, 2021): pp. 233-241
    Identifiers
    isbn: 978-2-503-58025-8
    other: https://balat.kikirpa.be/document/200066562
    uri: https://orfeo.belnet.be/handle/internal/7872
    Type
    Book chapter
    Peer-Review
    No
    Language
    eng
    Links
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