La contrefaçon musicale à Bruxelles au XVIIIe siècle : l’exemple de Toinon et Toinette de Gossec
| dc.contributor.author | Cornaz, Marie | |
| dc.coverage.spatial | Brussels (Belgium) | en_US |
| dc.coverage.temporal | 18th century | en_US |
| dc.date | 1995 | |
| dc.date.accessioned | 2022-01-31T11:31:25Z | |
| dc.date.available | 2022-01-31T11:31:25Z | |
| dc.identifier.uri | https://orfeo.belnet.be/handle/internal/9705 | |
| dc.language | fra | en_US |
| dc.title | La contrefaçon musicale à Bruxelles au XVIIIe siècle : l’exemple de Toinon et Toinette de Gossec | en_US |
| dc.type | Article | en_US |
| dc.subject.frascati | Arts | en_US |
| dc.audience | Scientific | en_US |
| dc.subject.free | Music | en_US |
| dc.source.title | Nouvelles annales Prince de Ligne | en_US |
| dc.source.issue | IX | en_US |
| dc.source.page | pp. 237-241 | en_US |
| Orfeo.peerreviewed | Yes | en_US |
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