Les éditions parisiennes de livrets d’opéras et leur contrefaçon bruxelloise dans la seconde moitié du XVIIIe siècle
dc.contributor.author | Cornaz, Marie | |
dc.coverage.temporal | 18th century | en_US |
dc.date | 1997 | |
dc.date.accessioned | 2022-02-04T08:42:48Z | |
dc.date.available | 2022-02-04T08:42:48Z | |
dc.identifier.uri | https://orfeo.belnet.be/handle/internal/9736 | |
dc.language | fra | en_US |
dc.title | Les éditions parisiennes de livrets d’opéras et leur contrefaçon bruxelloise dans la seconde moitié du XVIIIe siècle | en_US |
dc.type | Book chapter | en_US |
dc.subject.frascati | Arts | en_US |
dc.audience | Scientific | en_US |
dc.subject.free | Music | en_US |
dc.source.title | 16th International Congress of the International Musicological Society : Musicology and Sister Disciplines : Past, Present and Future, Abstracts : London, August 14-20, 1997 | en_US |
dc.source.page | 32 | en_US |
Orfeo.peerreviewed | Not pertinent | en_US |
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